Bob Dylan: The Recording Sessions

Part One

by Michael Krogsgaard
In January this year I got a positive response to my earlier requests about getting permission to seek factual information about Bob Dylan's recordings. It read: "After careful consideration, it is our decision that you may examine our recording logs as well as the files at Columbia Records."

Some Months later, I found myself in the Archives of Sony Records in New York City, examining the original tapes (of which some are shown in the booklet for The Bootleg Series), the recording diaries and a lot of material kindly made available to me. The amount of material is so extensive that it will take many hours and several additional visits to New York to go through it all, but even after this first visit, I have been able to establish many interesting and surprising factual details.

In this and subsequent issues of The Telegraph, this information will be presented, concentrating primarily on Bob Dylan's Columbia Studio recordings. The information will be presented chronologically.

First, though, some general information regarding the different sources made available for the study:

  1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing.
  2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use.
  3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use.
  4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.
  5. Columbia Artist Cards contain information about every recorded composition, including recording date, CO number and release information (if the track was indeed released).

Additional session-related papers made available for examination included musicians' contracts, reports made by the producers and other material. This was generally available from January 1, 1965 and onwards.

It is obvious that the material made available for examination is of extreme importance in the efforts to establish the facts about Bob Dylan's many recording sessions. As a result, it has been possible to clarify most of the details. In some instances there are discrepancies in information from the different sources mentioned above, and this can only be clarified by listening through the tapes for those sessions. The following information is therefore not necessarily 100 per cent correct, but until all the tapes have been heard, I'm confident that it's pretty close to being a definitive listing.

The format in which the information is given is strictly adhered to. For each session (defined as an event with a job number in the studio diaries), a headline specifies the location, date and planned time for the session. The names of the producer an engineers are listed. Following this, each take recorded at the session is listed chronologically, numbers from 1 onwards. The songs are listed with their official title, followed by the CO number (only given for the first take of each song if many take are recorded). Then comes the take number and the indication of whether the take is complete (C), with a short false start(b) or a long false start(B).

The take numbers are not always logical. To identify the takes with any degree of certainty, they should be numbers from 1 onwards. But in some instances, there are missing or duplicate take numbers, for instance 1,2,3,6,7,7,11. This is probably because only stated takes (i.e. properly announced takes) are listed, in some cases at least, or because they are listed as they are slated (and the person who slates the take sometimes seems to have a bad memory as to where he's up to). In other cases, when a composition is recorded several times at different sessions, the same CO number is used at all sessions (which is logical because it identifies the composition). Sometimes the take numbers are continuous from one session to the next, but at other times every session starts with take 1.

In the lists given, the take numbers are duplicated precisely from the recording sheets and are therefore not always logical.

In the notes after the song listings, the following information is given: the actual time of the session, if known; the titles of the composition given on the recording sheet if they are not the official titles; the names of backing musicians and an indication of which takes of which tracks were eventually released on the official albums. Release information has been limited to the first release for each take; additional releases on other albums have not been included.

In this first part, the Columbia sessions in New York in the 1960s are listed, starting with Dylan's sideman job for Carolyn Hester in 1961.

Studio A
Columbia Recording Studios
New York City, New York
September 29, 1961

Produced by John Hammond.


1. Swing and Turn Jubilee (trad.)             CO68304          Take 1C 
2. Swing and Turn Jubilee (trad.)                              Take 2C 

3. Come Back, Baby (trad.)                    CO68305          Take 1C 
4. Come Back, Baby (trad.)                                     Take 2B 
5. Come Back, Baby (trad.)                                     Take 3b 
6. Come Back, Baby (trad.)                                     Take 4b 
7. Come Back, Baby (trad.)                                     Take 5C 

8. Los Bibilicos (trad.)                      CO68306          Take 1C 
9. Los Bibilicos (trad.)                                       Take 2C 

10. I'll Fly Away (Albert E. Brumley)         CO68307          Take 1C 
11. I'll Fly Away (Albert E. Brumley)                          Take 2C 

12. Unidentified                              CO68308          Take 1b 
13. Unidentified                                               Take 2C 
14. Unidentified                                               Take 3C 
15. Unidentified                                               Take 4b 
16. Unidentified                                               Take 5C 

Carolyn Hester (guitar & vocal), Bruce Langhorne (guitar & fiddle), William E. Lee (bass) and Bob Dylan (harmonica).

3,4, a splice of 15 and 16, and 10 or 11 released on Carolyn Hester.


Bob Dylan signed with Columbia on October 26, 1961. It is not known whether there was a formal audition before he signed the contract. Between September 29 and November 20 there is no John Hammond audition listed in the recording diary (auditions are not listed with the artist's name) and therefore no evidence of a Bob Dylan audition.

The recordings for Dylan's first album were done during two days, but under the same job number.

Studio A
Columbia Recording Studios
New York City, New York
November 20, 1961, 7-10 pm

Produced by John Hammond.
Engineers: Knuerr and Dauria

1. You're No Good (Jesse Fuller)              CO68726          Take 1C
2. You're No Good (Jesse Fuller)                               Take 2C 
3. You're No Good (Jesse Fuller)                               Take 3b 
4. You're No Good (Jesse Fuller)                               Take 4b 
5. You're No Good (Jesse Fuller)                               Take 5C 
6. You're No Good (Jesse Fuller)                               Take 6b 
7. You're No Good (Jesse Fuller)                               Take 7b 
8. You're No Good (Jesse Fuller)                               Take 8C 

9. Fixin' To Die (Bukka White)                CO68727          Take 1C 
10. Fixin' To Die (Bukka White)                                Take 2C 
11. Fixin' To Die (Bukka White)                                Take 3C 

12. He Was a Friend of Mine                   CO68728          Take 1b 
13. He Was a Friend of Mine                                    Take 2C

14. House of the Risin' Sun (trad.)           CO68729          Take 1b 
15. House of the Risin' Sun (trad.)                            Take 2C 
16. House of the Risin' Sun (trad.)                            Take 3C 

17. Talking New York                          CO68730          Take 1C 
18. Talking New York                                           Take 2C 

19. Song To Woody                             CO68731          Take 1b 
20. Song To Woody                                              Take 2C 

21. Baby, Let Me Follow You Down (Eric Von Schmidt)    
                                              CO68732          Take 1C 

22. Man of Constant Sorrow (trad.)            CO68745          Take 1C 

23. In My Time of Dyin' (trad.)               CO68733          Take 1C 

Session: 7-9:45 pm.
Notes after November 22, 1962 session.

Studio A
Columbia Recording Studios
New York City, New York
November 22, 1961, 2:30-5:30 pm

Produced by John Hammond.
Engineers: Knuerr and Brosnan

24. Man on the Street                          CO68743         Take 1b
25. Man on the Street                                          Take 2C
26. Man on the Street                                          Take 3b
27. Man on the Street                                          Take 4b
28. Man on the Street                                          Take 6b

29. (As I Go) Ramblin' Round (Woody Guthrie)   CO68744         Take 1C 
30. (As I Go) Ramblin' Round (Woody Guthrie)                   Take 2C 

31. Man of Constant Sorrow (trad.)             CO68745         Take 1C
32. Man of Constant Sorrow (trad.)                             Take 2b
33. Man of Constant Sorrow (trad.)                             Take 3C

34. Pretty Peggy-O (trad.)                     CO68746         Take 1C 
35. Pretty Peggy-O (trad.)                                     Take 2C 

36. See That My Grave Is Kept Clean (Blind Lemon Jefferson)
                                               CO68747         Take 1b 
37. See That My Grave Is Kept Clean (Blind Lemon Jefferson)    Take 2C 
38. See That My Grave Is Kept Clean (Blind Lemon Jefferson)    Take 3C 
39. See That My Grave Is Kept Clean (Blind Lemon Jefferson)    Take 4C 

40. Gospel Plow (trad., arr. Dylan)            CO68748         Take 1C 

41. Highway 51 (trad.)                         CO68749         Take 1C 

42. Freight Train Blues (John Lair)            CO68750         Take 1C 

43. House Carpenter (trad.)                    CO68751         Take 1C 

Session: 7-9:45 pm.

1-8 "You're No Good" on recording Sheet 29 and 30 "Ramblin' Blues" on recording sheet.
20 overdubbed at Columbia Recording Studios, December 8, 1964
5,11,16,18,20,21,23,33,35,39,40,41 and 42 released on Bob Dylan.
13,25 and 43 released on The Bootleg Series.
16 released on the CD-ROM Highway 61 Interactive in overdubbed version.

(original track listing for "Free Wheeling" - 1st album):

Side 1:

  1. You're No Good
  2. Freight Train Blues
  3. In My Time of Dyin'
  4. Man of Constant Sorrow
  5. Fixin' To Die
  6. Pretty Peggy-O
  7. Highway 51

Side 2:

  1. Gospel Plow
  2. Baby Let Me Follow You Down
  3. House of the Risin' Sun
  4. Talkin' New York
  5. Song To Woody
  6. See That My Grave Is Kept Clean

The first surprise came up earlier than expected. Bob Dylan's first session with back-up musicians was not the Mixed Up Confusion session in October 1962, but April 1962.

Studio A
Columbia Recording Studio
New York City, New York
April 24, 1962, 2:30-5:30 pm

Produced by John Hammond
Engineers: Knuerr and Dauria

1. Going To New Orleans (trad.)                CO70085         Take 1C 
2. Going To New Orleans (trad.)                                Take 2C 

3. Sally Gal                                   CO70086         Take 1C 
4. Sally Gal                                                   Take 2C 
5. Sally Gal                                                   Take 3C 

6. Rambling Gambling Willie                    CO70087         Take 1C 
7. Rambling Gambling Willie                                    Take 2B 
8. Rambling Gambling Willie                                    Take 3C 
9. Rambling Gambling Willie                                    Take 4C 

10. Corrina, Corrina                           CO70088         Take 1C 
11. Corrina, Corrina                                           Take 2C 

12. The Death of Emmett Till                   CO70089         Take 1C 

13. Talking John Birch Paranoid Blues          CO70090         Take 1B 
14. Talking John Birch Paranoid Blues                          Take 2B 
15. Talking John Birch Paranoid Blues                          Take 3C 

16. (I Heard That) Lonesome Whistle (Hank Williams/Jimmie Davis) 
                                               CO70091         Take 1B 
17. (I Heard That) Lonesome Whistle (Hank Williams/Jimmie Davis) 
                                                               Take 2C 

1 and 2 "Going Down To New Orleans" on recording sheet.
6-9 "Gamblin' Willie" on recording sheet.
10-11 "Corinna" on recording sheet.
12 "Emmett Till" on recording sheet.
16 and 17 "Lonesome Whistle Blues" on recording sheet.

Backed by a bass player, probably William E. Lee, except takes 8 and 15 and probably others.

9 and 15 released on the promotional edition of The Freewheelin' Bob Dylan
9 released on The Bootleg Series

Studio A
Columbia Recording Studio
New York City, New York
April 25, 1962, 2:30-5:30 pm

Produced by John Hammond
Engineers: Knuerr and Dauria

1. Rocks and Gravel                            CO70096         Take 1b
2. Rocks and Gravel                                            Take 2b
3. Rocks and Gravel                                            Take 3C

4. Let Me Die In My Footsteps                  CO70097         Take 1C

5. Talking Havah Negeilah Blues                CO70098         Take 1C

6. Sally Gal                                   CO70086         Take 4C
7. Sally Gal                                                   Take 5C

8. Baby, Please Don't Go (Big Joe Williams)    CO70099         Take 1C
9. Baby, Please Don't Go (Big Joe Williams)                    Take 2b
10. Baby, Please Don't Go (Big Joe Williams)                   Take 3C

11. Milk Cow's Calf's Blues (Robert Johnson)   CO70100         Take 1C 
12. Milk Cow's Calf's Blues (Robert Johnson)                   Take 2b
13. Milk Cow's Calf's Blues (Robert Johnson)                   Take 3C

14. Wichita (Going To Lousiana) (trad.)        CO70101         Take 1C

15. Talking Bear Mountain Picnic Massacre Blues
                                               CO70102         Take 1B
16. Talking Bear Mountain Picnic Massacre Blues                Take 2B
17. Talking Bear Mountain Picnic Massacre Blues                Take 3C

18. Milk Cow's Calf's Blues (Robert Johnson)   CO70100         Take 4C 

19. Wichita (Going To Lousiana) (trad.)        CO70101         Take 2C

1-3 "Solid Rock" on recording sheet
4 "Footsteps" on recording sheet
5 "Hava Blues" on recording sheet
11-13 and 18 "Milk Cow Blues" on recording sheet
14 and 19 "Wichita Blues" on recording sheet
15-17 "Bear Mountain Picnic" on recording sheet
4,5 and 17 released on The Bootleg Series

Studio A
Columbia Recording Studio
New York City, New York
July 9, 1962, 2:30-5:30 pm

Produced by John Hammond
Engineers: Knuerr and Dauria

1. Baby, I'm In the Mood For You               CO75717         Take 1b
2. Baby, I'm In the Mood For You                               Take 2C
3. Baby, I'm In the Mood For You                               Take 3C

4. Bob Dylan's Blues                           CO75718         Take 1C

5. Blowin' In the Wind                         CO75719         Take 1C
6. Blowin' In the Wind                                         Take 2C
7. Blowin' In the Wind                                         Take 3C

8. Quit Your Lowdown Ways                      CO75720         Take 1C

9. Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
                                               CO75721         Take 1C

10. Down the Highway                           CO75722         Take 1C

11. Worried Blues (Hally Wood)                 CO75723         Take 1C
12. Worried Blues (Hally Wood)                                 Take 2C

13. Baby, I'm In the Mood For You              CO75717         Take 4C

14. Bob Dylan's Blues                          CO75718         Take 2C
15. Bob Dylan's Blues                                          Take 3C

5-7 "The Answer Is Blowing In the Wind" on recording sheet
9 "Just Allow Me One More Chance" on recording sheet
4,7,9 and 10 released on The Freewheelin' Bob Dylan
3 released on Biograph
8 and 12 released on The Bootleg Series

Studio A
Columbia Recording Studio
New York City, New York
October 26, 1962, 2:30-5:30 pm

Produced by John Hammond
Engineers: Knuerr and Dauria

1. Corrina, Corrina (trad.)                    CO76981         Take 1B
2. Corrina, Corrina (trad.)                                    Take 2C
3. Corrina, Corrina (trad.)                                    Take 3C
4. Corrina, Corrina (trad.)                                    Take 4C
5. Corrina, Corrina (trad.)                                    Take 5b
6. Corrina, Corrina (trad.)                                    Take 6C

7. Mixed Up Confusion                          CO76982         Take 1b
8. Mixed Up Confusion                                          Take 2

9. That's All Right Mama (Arthur Crudup)       CO76983         Take 1C
10. That's All Right Mama (Arthur Crudup)                      Take 2b
11. That's All Right Mama (Arthur Crudup)                      Take 3C
12. That's All Right Mama (Arthur Crudup)                      Take 4b
13. That's All Right Mama (Arthur Crudup)                      Take 5C

14. Mixed Up Confusion                         CO76982         Take 3C
15. Mixed Up Confusion                                         Take 4b
15. Mixed Up Confusion                                         Take 5C

17. Corrina, Corrina (trad.)                   CO76981         Take 6C

1-6 and 17 "Corinna" on recording sheet.
9-13 "Allright Mama" on recording sheet.

Backed by Dick Wellstood (piano), Bruce Langhorne (guitar), Howie Collins (guitar), Leonard Gaskin (bass) and Herb Lovelle (drums).

17 released on The Freewheelin' Bob Dylan.

Studio A
Columbia Recording Studio
New York City, New York
November 1, 1962, 2:30-5:30 pm

Produced by John Hammond
Engineers: Knuerr and Dauria

1. Mixed Up Confusion                          CO76982         Take 6C
2. Mixed Up Confusion                                          Take 7C
3. Mixed Up Confusion                                          Take 8b
4. Mixed Up Confusion                                          Take 9C
5. Mixed Up Confusion                                          Take 10C
6. Mixed Up Confusion                                          Take 11C

7. That's All Right Mama (Arthur Crudup)       CO76983         Take 3C

8. Rocks and Gravel                            CO76986         Take 1C
9. Rocks and Gravel                                            Take 2C

7 "All Right Mama" on recording sheet.

Backing undocumented, but probably George Barnes (guitar), Bruce Langhorne (guitar), Gene Ramey (bass), Dick Wellstood (piano) and Herb Lovelle (drums).

8 overdubbed at Columbia Recording Studios, December 8, 1964.
8 released on the promotional edition of The Freewheelin' Bob Dylan.


Unfortunately the tapes (and recording sheets) for the next session were not available. The information given is based on the other sources. Later a complete listing of all takes will hopefully be added. Could this be where the rumoured electric Don't Think Twice, It's All Right comes from?

Studio A
Columbia Recording Studio
New York City, New York
November 14, 1962, 3-6 pm

Produced by John Hammond.
Engineers: Knuerr and Dauria.

1. Mixed Up Confusion                          CO76982
2. Don't Think Twice, It's All Right           CO77002
3. Ballad of Hollis Brown                      CO77003
4. Kingsport Town (trad.)                      CO77004
5. Whatcha Gonna Do                            CO77005

1 overdubbed at Columbia Recording Studios, December 8, 1964.

Backing undocumented, but probably same backing as November 1 for track 1 and Bruce Langhorne on guitar on tracks 3-5.

1 released on single.
2 released on The Freewheelin' Bob Dylan.
4 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
December 6, 1962, 5-6 pm

Produced by John Hammond.
Engineers: Tonkel and Dauria .

1. Hero Blues                                  CO77020         Take 1C

2. Whatcha Gonna Do                            CO77021         Take 1C

3. Oxford Town                                 CO77022         Take 1C

4. I Shall Be Free                             CO77023         Take 1b
5. I Shall Be Free                                             Take 2C
6. I Shall Be Free                                             Take 3B
7. I Shall Be Free                                             Take 4b
8. I Shall Be Free                                             Take 5C

9. Hero Blues                                  CO77020         Take 2C
10. Hero Blues                                                 Take 3b
11. Hero Blues                                                 Take 4C

12. A Hard Rain's A-Gonna Fall                 CO77024         Take 1C

12 "Hard Rain's Gonna Fall" on recording sheet.
3,5 and 12 released on The Freewheelin' Bob Dylan.

Studio A
Columbia Recording Studio
New York City, New York
April 23, 1963, 10-1 pm

Produced by John Hammond.
Engineers: Knuerr and Dauria.

1. Girl of the North Country                   CO78487         Take 1C
2. Girl of the North Country                                   Take 2C

3. Masters of War                              CO78488         Take 1b
4. Masters of War                                              Take 2b
5. Masters of War                                              Take 3C

6. Walls of Red Wing                           CO78489         Take 1b
7. Walls of Red Wing                                           Take 2b
8. Walls of Red Wing                                           Take 3C

9. Talking World War III Blues                 CO78490         Take 1b
10. Talking World War III Blues                                Take 2b
11. Talking World War III Blues                                Take 3b
12. Talking World War III Blues                                Take 4b
13. Talking World War III Blues                                Take 5C

14. Bob Dylan's Dream                          CO78491         Take 1C
15. Bob Dylan's Dream                                          Take 2C

16. Girl of the North Country                  CO78487         Take 3b
17. Girl of the North Country                                  Take 4C
18. Girl of the North Country                                  Take 5b
19. Girl of the North Country                                  Take 6C

20. Masters of War                             CO78488         Take 4b
21. Masters of War                                             Take 5C
22. Masters of War                                             Take 6C

1,2 and 16-19 "Girl From the North Country" on recording sheet.

2,5,13 and 15 released on The Freewheelin' Bob Dylan.
8 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
August 2, 1963, 7-10 pm

Produced by John Hammond.
Engineers: Tonkel and Catero.

Session cancelled.

Studio A
Columbia Recording Studio
New York City, New York
August 6, 1963, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Tonkel and Dauria.

1. Boots of Spanish Leather                    CO78969         Take 1C

2. Only a Pawn In Their Game                   CO78970         Take 1b
3. Only a Pawn In Their Game                                   Take 2b
4. Only a Pawn In Their Game                                   Take 3b
5. Only a Pawn In Their Game                                   Take 4C
6. Only a Pawn In Their Game                                   Take 5b
7. Only a Pawn In Their Game                                   Take 6C

8. North Country Blues                         CO78971         Take 1b
9. North Country Blues                                         Take 2b
10. North Country Blues                                        Take 3b
11. North Country Blues                                        Take 4C

12. Ballad of Hollis Brown                     CO78972         Take 1b
13. Ballad of Hollis Brown                                     Take 2B
14. Ballad of Hollis Brown                                     Take 3C

15. Seven Curses                               CO78973         Take 1b
16. Seven Curses                                               Take 2b
17. Seven Curses                                               Take 3C

18. With God On Our Side                       CO78974         Take 1b
19. With God On Our Side                                       Take 2B
20. With God On Our Side                                       Take 3B
21. With God On Our Side                                       Take 4C
22. With God On Our Side                                       Take 5B

23. Farewell                                   CO78975         Take 1B
24. Farewell                                                   Take 2b
25. Farewell                                                   Take 3b
26. Farewell                                                   Take 4B

27. Ballad of Hollis Brown                     CO78972         Take 4C

28. Bob Dylan's New Orleans Rag                CO78976         Take 1C

8-11 "Title ?" on recording sheet.
12-14 and 27 "Hollis Brown" on recording sheet.
18-22 "With God On Your Side" on recording sheet.
28 "New Orleans Rag" on recording sheet.

1 released on The Times They Are A-Changin'.
17 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
August 7, 1963, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Tonkel and Dauria.

1. Ballad of Hollis Brown                      CO78972         Take 1C 

2. With God On Our Side                        CO78974         Take 1C 

3. Only a Pawn In Their Game                   CO78970         Take 1C 

4. Boots of Spanish Leather                    CO78969         Take 1C 

5. Walls of Red Wing                           CO78977         Take 1C 

6. Eternal Circle                              CO78978         Take 1B 
7. Eternal Circle                                              Take 2B 
8. Eternal Circle                                              Take 3b 
9. Eternal Circle                                              Take 4C 

10. Bob Dylan's New Orleans Rag                CO78976         Take 1b 
11. Bob Dylan's New Orleans Rag                                Take 2b 
12. Bob Dylan's New Orleans Rag                                Take 3C 

1 "Hollis Brown" on recording sheet.
2 "With God On Your Side" on recording sheet.
10-12 "New Orleans Rag" on recording sheet.

1-4 released on The Times They Are A-Changin'.

Studio A
Columbia Recording Studio
New York City, New York
August 12, 1963, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Tonkel and Dauria.

1. Paths of Victory                            CO78979         Take 1C

2. Bob Dylan's New Orleans                     CO78976         Take 1b

3. Hero Blues                                  CO78980         Take 1C
4. Hero Blues                                                  Take 2b
5. Hero Blues                                                  Take 3C

6. Moonshine Blues (trad.)                     CO78981         Take 1C

7. Eternal Circle                              CO78978         Take 1b
8. Eternal Circle                                              Take 2b
9. Eternal Circle                                              Take 3b
10. Eternal Circle                                             Take 4C

11. Only a Hobo                                CO78982         Take 1C
12. Only a Hobo                                                Take 2C

13. Moonshine Blues (trad.)                    CO78981         Take 1C

2 "New Orleans Rag" on recording sheet.
6 and 13 "Moonshiner Blues" on recording sheet.

1, 11 and 6 (most likely) or 13 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
October 23, 1963, 10-1 pm

Produced by Tom Wilson.
Engineers: Knuerr and Dauria.

1. The Lonesome Death of Hattie Carroll        CO79679         Take 1b
2. The Lonesome Death of Hattie Carroll                        Take 2C

3. When the Ship Comes In                      CO79680         Take 1b
4. When the Ship Comes In                                      Take 2B

5. The Times They Are A-Changin'               CO79681         Take 1B

6. Percy's Song                                CO79682         Take 1C

7. The Lonesome Death of Hattie Carroll        CO79679         Take 3b
8. The Lonesome Death of Hattie Carroll                        Take 4C

9. When the Ship Comes In                      CO79680         Take 3b
10. When the Ship Comes In                                     Take 4C

11. The Times They Are A-Changin'              CO79681         Take 2C
12. The Times They Are A-Changin'                              Take 3B
13. The Times They Are A-Changin'                              Take 4b
14. The Times They Are A-Changin'                              Take 5b
15. The Times They Are A-Changin'                              Take 6b
16. The Times They Are A-Changin'                              Take 7C

17. East Laredo Blues                          CO79683         Take 1C

18. Tune J                                     CO79684         Take 1C

19. That's All Right Mama (Arthur Crudup)      CO79685         Take 1C

1,2,7 and 8 "Lonesome Death of Hattie Carroll" on recording sheet.
5,11-16 "The Times They Are Achanging" on recording sheet.
19. "It's Alright Mama" on recording sheet.

8 and 10 released on The Times They Are A-Changin'. 6 released on Biograph.

Studio A
Columbia Recording Studio
New York City, New York
October 24, 1963, 10-1 pm

Produced by Tom Wilson.
Engineers: Knuerr and Dauria.

1. Eternal Circle                              CO79689         Take 1C
2. Eternal Circle                                              Take 2B
3. Eternal Circle                                              Take 3b
4. Eternal Circle                                              Take 4B

5. One Too Many Mornings                       CO79690         Take 1C
6. One Too Many Mornings                                       Take 2b
7. One Too Many Mornings                                       Take 3C

8. The Times They Are A-Changin'               CO79682         Take 1b

9. Percy's Song                                CO79682         Take 1b
10. Percy's Song                                               Take 2B
11. Percy's Song                                               Take 3C

12. lay Down Your Weary Tune                   CO79691         Take 1C

13. One Too Many Mornings                      CO79690         Take 4b
14. One Too Many Mornings                                      Take 5b
15. One Too Many Mornings                                      Take 6C

16. Suze (The Cough Song)                      CO79693         Take 1C

17. Bob Dylan's New Orleans Rag                CO79693         Take 1C
18. Bob Dylan's New Orleans Rag                                Take 2

9 "The Times They Are Changing" on recording sheet.
16 "Suzie" on recording sheet.

8 and 15 released on The Times They Are A-Changin'.
12 released on Biograph.
16 and probably 1 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
October 31, 1963, 11-1 pm

Produced by Tom Wilson.
Engineers: Knuerr and Levine.

1. Restless Farewell                           CO79788         Take 1b
2. Restless Farewell                                           Take 2C
3. Restless Farewell                                           Take 3C
4. Restless Farewell                                           Take 4C
5. Restless Farewell                                           Take 5b
6. Restless Farewell                                           Take 6b
7. Restless Farewell                                           Take 7b
8. Restless Farewell                                           Take 8b
9. Restless Farewell                                           Take 9C

1-9 "Tune Z" on recording sheet.

9 released on The Times They Are A-Changin'.


After this extremely productive period there was a nine-month gap in Dylan's recordings. The extensive session for Another Side of Bob Dylan on the evening of June 9, 1964 is well rumoured, but the track lists came up with a few surprises:

Studio A
Columbia Recording Studio
New York City, New York
June 9, 1964, 7-10 pm

Produced by Tom Wilson.
Engineers: Hallie and Catero.

1. Denise                                      CO82213         Take 1C
2. *Denise (Composite)                                         Take 1C
3. *Denise (Composite #2)                                      Take 1C
4. *Denise (Composite #2)                                      Take 2C

5. It Ain't Me, Babe                           CO82214         Take 1B
6. It Ain't Me, Babe                                           Take 2C

7. To Ramona                                   CO82215         Take 1C

8. Spanish Harlem Incident                     CO82216         Take 1b
9. Spanish Harlem Incident                                     Take 2b
10. Spanish Harlem Incident                                    Take 3C
11. Spanish Harlem Incident                                    Take 4C
12. Spanish Harlem Incident                                    Take 5C

13. Last Thoughts On Woody Guthrie             CO82217         Take 1b
14. Last Thoughts On Woody Guthrie                             Take 2B
15. Last Thoughts On Woody Guthrie                             Take 3B
16. Last Thoughts On Woody Guthrie                             Take 4C
17. *Last Thoughts On Woody Guthrie (Insert #1)                Take 1C

18. I Don't Believe You (She Acts Like We Never Have Met) 
                                               CO82218         Take 1C
19. I Don't Believe You (She Acts Like We Never Have Met)      Take 2b
20. I Don't Believe You (She Acts Like We Never Have Met)      Take 3C
21. I Don't Believe You (She Acts Like We Never Have Met)      Take 4b
22. I Don't Believe You (She Acts Like We Never Have Met)      Take 5C

23. Chimes of Freedom                          CO82219         Take 1B
24. Chimes of Freedom                                          Take 2b
25. Chimes of Freedom                                          Take 3B
26. Chimes of Freedom                                          Take 4b
27. Chimes of Freedom                                          Take 5b
28. Chimes of Freedom                                          Take 6b
29. Chimes of Freedom                                          Take 7C

30. Motorpsycho Nitemare                       CO82220         Take 1b
31. Motorpsycho Nitemare                                       Take 2b
32. Motorpsycho Nitemare                                       Take 3b
33. Motorpsycho Nitemare                                       Take 4C

34. Mr. Tambourine Man                         CO82221         Take 1b
35. Mr. Tambourine Man                                         Take 2C

36. All I Really Want To Do                    CO82222         Take 1C

37. Black Crow Blues                           CO82223         Take 1B
38. Black Crow Blues                                           Take 2
39. Black Crow Blues                                           Take 3C

40. I Shall Be Free No. 10                     CO82224         Take 1b
41. I Shall Be Free No. 10                                     Take 2B
42. I Shall Be Free No. 10                                     Take 3B
43. I Shall Be Free No. 10                                     Take 4B
44. *I Shall Be Free No. 10 (Insert #1)                        Take 1C

45. Mama, You Been On My Mind                  CO82225         Take 1C

46. My Back Pages                              CO82226         Take 1b
47. My Back Pages                                              Take 2C

1-1 "Denise, Denise, Denise ?" on recording sheet.
5 and 6 "Candy" on recording sheet.
7 "Ramona" on recording sheet.
13-17 "Poem 1" on recording sheet.
30-33 "Motor Psycho" on recording sheet.
34-35 "Tambourine Man" on recording sheet.
37 "Weird Consumption" on recording sheet.
45 "Mamma, You've Been On My Mind" on recording sheet.
46 and 47 "Ancient Memories" on recording sheet.

34 and 35 Ramblin' Jack Elliott Back-up vocal.

6,7,12,22,29,33,36,39,47 and an edit of 43 and 44 released on Another Side of Bob Dylan.
45 released on The Bootleg Series.


Although the next Bob Dylan recording session was scheduled for January 1965 for Bringing It All Back Home, there was actually a session in December 1964, at which Dylan himself was not present, when four of his earlier recordings were taken into the studio to have new "folk-rock" backing added - producer Tom Wilson having already had some sucess doing a similar job tinkering with Simon & Garfunkel's original acoustic recording of Sounds Of Silence. This "overdubbing" session is interesting for two reasons: It preceded the Bringing It All Back Home sessions, where the solo versions of the songs done the first day were done with electric back-up on the two following days. It's also the source of the CD-ROM misunderstanding about the apparent recording of an electric version of House of the Risin' Sun as early as 1962 - long before The Animals' famous version. Of course, Dylan never did make any such recording. Instead, an acoustic take of House of the Risin' Sun from his first album was put together with three "electric" songs recorded in October/November 1962 for this overdub session. The final result was four "electric" tracks with continuous CO-numbers. At first glance at the tape boxes and the CO-numbers, it seemed logical to assume that the electric House of the Risin' Sun had also been recorded in 1962, along with the other three tracks that were given the overdub treatment. Only a careful study of the Artists Contract Card sorts out the true origin of the basic tracks.

20th Street Studio
Columbia Recording Studio
New York City, New York
December 8, 1964, 7-10 pm

Produced by Tom Wilson.
Engineers: Hallie and Brosnan.

Overdub session.

1. *Mixed Up Confusion                         CO84438         Take 1b
2. *Mixed Up Confusion                                         Take 2b
3. *Mixed Up Confusion                                         Take 3b
4. *Mixed Up Confusion                                         Take 4B
5. *Mixed Up Confusion                                         Take 5b
6. *Mixed Up Confusion                                         Take 6b
7. *Mixed Up Confusion                                         Take 7b
8. *Mixed Up Confusion                                         Take 8C
9. *Mixed Up Confusion                                         Take 9C
10. *Mixed Up Confusion                                        Take 10b
11. *Mixed Up Confusion                                        Take 11C

12. *Rocks and Gravel                          CO84439         Take 1b
13. *Rocks and Gravel                                          Take 2B
14. *Rocks and Gravel                                          Take 3b
15. *Rocks and Gravel                                          Take 4C
16. *Rocks and Gravel                                          Take 5b
17. *Rocks and Gravel                                          Take 6b
18. *Rocks and Gravel                                          Take 7b
19. *Rocks and Gravel                                          Take 8C
20. *Rocks and Gravel                                          Take 9b
21. *Rocks and Gravel                                          Take 10C

22. *House of the Risin' Sun (trad.)           CO84440         Take 1b
23. *House of the Risin' Sun (trad.)                           Take 2b
24. *House of the Risin' Sun (trad.)                           Take 3b
25. *House of the Risin' Sun (trad.)                           Take 4B 
26. *House of the Risin' Sun (trad.)                           Take 5C
27. *House of the Risin' Sun (trad.)                           Take 6b
28. *House of the Risin' Sun (trad.)                           Take 7C

29. *Corrina, Corrina                          CO84441         Take 1C
30. *Corrina, Corrina                                          Take 2b

22-28 "House Of Rising Sun" on recording sheet.
30 "Corina, Corina" on recording sheet.

1-11 original track CO76982 recorded November 14, 1962.
12-21 original track CO76986 take 1 recorded November 1, 1962.
22-28 original track CO68729 take 3 recorded November 20, 1961.
29-30 original CO number and recording date unknown.
Overdubbed by Robert Gregg (drums) and other, unidentified musicians.

28 released on CD-ROM Highway 61 Interactive.

Studio A
Columbia Recording Studio
New York City, New York
January 13, 1965, 7-10 pm

Produced by Tom Wilson.
Engineers: Hallie and Catero.

1. Love Minus Zero/No Limit                    CO85270         Take 1b
2. Love Minus Zero/No Limit                                    Take 2C

3. I'll Keep It With Mine                      CO85271         Take 1C

4. It's All Over Now, Baby Blue                CO85272         Take 1C

5. Bob Dylan's 115th Dream                     CO85273         Take 1b
6. Bob Dylan's 115th Dream                                     Take 2C

7. She Belongs To Me                           CO85274         Take 1C

8. Subterranean Homesick Blues                 CO85275         Take 1C

9. Sitting On A Barbed Wire Fence              CO85276         Take 1C

10. On The Road Again                          CO85277         Take 1C

11. Farewell Angelina                          CO85278         Take 1C

12. If You Gotta Go, Go Now                    CO85279         Take 1C
13. If You Gotta Go, Go Now (Addition)                         Take 1

14. Bending Down On My Stomick Lookin' West    CO85280         Take 1C

15. Love Minus Zero/No Limit                   CO85270         Take 3C

16. She Belongs To Me                          CO85274         Take 2C

17. Outlaw Blues                               CO85281         Take 1b
18. Outlaw Blues                                               Take 2C

1 and 2 "Dime Store" on recording sheet.
3 "Bank Account Blues" on recording sheet.
5-6 "B. Dylan's Later Dream" on recording sheet.
7 "Worse Than Money" on recording sheet.
8 "Subterranean Homesick Blues #10" on recording sheet.
9 "Barbwire" on recording sheet, corrected on the tape box to "Sitting On A Barbed Wire Fence". On the copyright card listed as "Outlaw Blues".
11 "Alcatraz To The 5th Power" on recording sheet.
12 and 13 "You Gotta Go" on recording sheet.
17 and 18 "Tune X" on recording sheet, corrected to "Key To The Highway" on one tape box and to "Outlaw Blues" on another. This CO number is not listed in the contract cards.

3 released on Biograph.
8 and 11 released on The Bootleg Series.


At the January 13 session Bob Dylan performed solo. For the next two days he had a basic backing group, with whom he recorded during the afternoons. On the evening of January 14 he made a number of recordings with a different backing group, but none of these tracks was used for the album. Unfortunately the tapes and recording sheets for this evening session were not available, so the list is based on information from other sources, among them the artists' contract, which includes the name of John Hammond Jr. Readers may recall that in the pages of The Telegraph, Hammond denied having played on any such session but the documentation includes details of the fee he received. Another small mystery waiting to be solved, then. Hopefully a full list of all takes will be added later.

Studio A
Columbia Recording Studio
New York City, New York
January 14, 1965, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Hallie and Dauria.

1. Love Minus Zero/No Limit                    CO85270         Take 1C
2. Love Minus Zero/No Limit                                    Take 2C
3. Love Minus Zero/No Limit (Insert #1)                        Take 1

4. Subterranean Homesick Blues                 CO85275         Take 1C
5. Subterranean Homesick Blues                                 Take 2b
6. Subterranean Homesick Blues                                 Take 3C

7. Outlaw Blues                                CO85282         Take 1b
8. Outlaw Blues                                                Take 2b
9. Outlaw Blues                                                Take 3C
10. *Outlaw Blues (overdub)                                    Take 1C

11. She Belongs To Me                          CO85283         Take 1C
12. She Belongs To Me                                          Take 2C

13. Bob Dylan's 115th Dream                    CO85284         Take 1b
14. Bob Dylan's 115th Dream                                    Take 2C

15. On The Road Again                          CO85285         Take 1b
16. On The Road Again                                          Take 2C
17. On The Road Again                                          Take 3b
18. On The Road Again                                          Take 4C

19. Love Minus Zero/No Limit                   CO85270

20. I'll Keep It With Mine                     CO85271

21. It's All Over Now, Baby Blue               CO85272

22. Bob Dylan's 115th Dream                    CO85273

23. She Belongs To Me                          CO85274

24. Subterranean Homesick Blues                CO85275

1 "(Tune Z) Dimestore" on recording sheet.
11 and 12 "My Girl" on recording sheet.

Session 1 (track 1-18): 2:30 - 6:00 pm backed by Robert Gregg (drums), Joseph Macho jr. (bass), William E. Lee (bass), Bruce Langhorne (guitar), Al Gorgoni (guitar), Kenneth J. Rankin (guitar) and Paul L. Griffin (piano).

Session 2 (track 19-24): 7 - 10 pm backed by John Hammond jr. (guitar), Bruce Langhorne (guitar), John Sebastian (bass guitar) and John Boone (bass guitar).

2, 6, 10, 12 and 14 released on Bringing It All Back Home.

Studio A
Columbia Recording Studio
New York City, New York
January 15, 1965, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Hallie and Dauria.

1. Maggie's Farm                               CO85286         Take 1C

2. On The Road Again                           CO85285         Take 1C
3. On The Road Again                                           Take 2b
4. On The Road Again                                           Take 3b
5. On The Road Again                                           Take 4b
6. On The Road Again                                           Take 5b
7. On The Road Again                                           Take 6b
8. On The Road Again                                           Take 7C
9. On The Road Again                                           Take 8b
10. On The Road Again                                          Take 9b
11. On The Road Again                                          Take 11b
12. On The Road Again                                          Take 12b
13. On The Road Again                                          Take 13C

14. It's Alright, Ma (I'm Only Bleeding)       CO85287         Take 1b
15. It's Alright, Ma (I'm Only Bleeding)                       Take 2C

16. Gates Of Eden                              CO85288         Take 1C

17. Mr. Tambourine Man                         CO85289         Take 1b
18. Mr. Tambourine Man                                         Take 2b
19. Mr. Tambourine Man                                         Take 3C
20. Mr. Tambourine Man                                         Take 4b
21. Mr. Tambourine Man                                         Take 5b
22. Mr. Tambourine Man                                         Take 6C

23. It's All Over Now, Baby Blue               CO85290         Take 1C

24. If You Gotta Go, Go Now                    CO85291         Take 1C
25. If You Gotta Go, Go Now                                    Take 2C
26. If You Gotta Go, Go Now                                    Take 3C
27. If You Gotta Go, Go Now                                    Take 4C

14 and 15 "It's All Right Ma" on recording sheet.
24-27 "You Gotta Go" on recording sheet.

Session 2:30 - 6:00 pm backed by Robert Gregg (drums), Joseph Macho jr. (bass), William E. Lee (bass), Bruce Langhorne (guitar), Al Gorgoni (guitar), Kenneth J. Rankin (guitar) and Frank Owens (piano).

1, 13, 15, 16, 22 and 23 released on Bringing It All Back Home.


While Bob Dylan was in the UK, there was a Dylan session in New York. If You Gotta Go, Go Now needed an overdub. There is no documentation of the musicians involved, but it could have been the back-up singers, who are heard on this song.

Studio A
Columbia Recording Studio
New York City, New York
May 21, 1965, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Laico and Dauria.

Overdub session:

1. *If You Gotta Go, Go Now (Composite 1)      CO85291         Take 1C
2. *If You Gotta Go, Go Now (Composite 1)                      Take 2C
3. *If You Gotta Go, Go Now (Composite 1)                      Take 3C
4. *If You Gotta Go, Go Now (Composite 1)                      Take 4C
5. *If You Gotta Go, Go Now (Composite 1)                      Take 5C
6. *If You Gotta Go, Go Now (Composite 2)                      Take 1C
7. *If You Gotta Go, Go Now (Composite 2)                      Take 2C

1-7 "You Gotta Go" on recording sheet.

Original tracks CO85291 recorded January 15, 1965.

Musicians unidentified.

5 and 7 released on single and The Bootleg Series, respectively.

Studio A
Columbia Recording Studio
New York City, New York
June 15, 1965, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Halee and Dauria.

1. It Takes A Lot To Laugh, It Takes A Train To Cry
                                               CO86443         Take 1C
2. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 2b
3. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 3b
4. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 4B
5. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 5b
6. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 5C
7. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 6C
8. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 7C
9. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 8C

10. Sitting On A Barbed Wire Fence             CO86444         Take 1B
11. Sitting On A Barbed Wire Fence                             Take 2C
12. Sitting On A Barbed Wire Fence                             Take 3C

13. It Takes A Lot To Laugh, It Takes A Train To Cry
                                               CO86445         Take 1C

14. Sitting On A Barbed Wire Fence             CO86444         Take 4b
15. Sitting On A Barbed Wire Fence                             Take 5b
16. Sitting On A Barbed Wire Fence                             Take 6C

17. Like A Rolling Stone                       CO86446         Take 1b
18. Like A Rolling Stone                                       Take 2b
19. Like A Rolling Stone                                       Take 3b
20. Like A Rolling Stone                                       Take 4b
21. Like A Rolling Stone                                       Take 5C

1-9 and 13 "Phantom Engineer Cloudy" on recording sheet.
10-12 "Over The Cliffs pt 1" on recording sheet. 14-16 "Over The Cliff" on recording sheet.

Session 2:30 - 6:30 backed by Robert Gregg (drums), Al Kooper (organ), Joseph Macho jr. (bass), Mike Bloomfield (guitar), Al Gorgoni (guitar) and Frank Owens (piano).

13, 16 and one of 17-21 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
June 16, 1965, 2:30-5:30 pm

Produced by Tom Wilson.
Engineers: Halee and Dauria.

1. Like A Rolling Stone                        CO86446         Take 1C
2. Like A Rolling Stone                                        Take 2b
3. Like A Rolling Stone                                        Take 3b
4. Like A Rolling Stone                                        Take 4C
5. Like A Rolling Stone                                        Take 5b
6. Like A Rolling Stone                                        Take 6b
7. Like A Rolling Stone                                        Take 7b
8. Like A Rolling Stone                                        Take 8C
9. Like A Rolling Stone                                        Take 9b
10. Like A Rolling Stone                                       Take 10b
11. Like A Rolling Stone                                       Take 11C
12. Like A Rolling Stone                                       Take 12b
13. Like A Rolling Stone                                       Take 13B
14. Like A Rolling Stone                                       Take 14b
15. Like A Rolling Stone                                       Take 15C

Backed by the same musicians as June 15, 1965.

4 released on single and on Highway 61 Revisited.

Studio A
Columbia Recording Studio
New York City, New York
July 29, 1965, 10 am - 1 pm, and 2:30-5:30 pm

Produced by Bob Johnston.
Engineers: Laico and Dauria (1st session) and Laico and Brosnan.

1. It Takes A Lot To Laugh, It Takes A Train To Cry
                                               CO86837         Take 1C
2. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 2b
3. It Takes A Lot To Laugh, It Takes A Train To Cry            Take 3C

4. Tombstone Blues                             CO86838         Take 1C
5. Tombstone Blues                                             Take 2b
6. Tombstone Blues                                             Take 3B
7. Tombstone Blues                                             Take 4C
8. Tombstone Blues                                             Take 5b
9. Tombstone Blues                                             Take 6b
10. Tombstone Blues                                            Take 7C
11. Tombstone Blues                                            Take 9B
12. Tombstone Blues                                            Take 10b
13. Tombstone Blues                                            Take 11B
14. Tombstone Blues                                            Take 12C

15. It Takes A Lot To Laugh, It Takes A Train To Cry
                                               CO86839         Take 1C
16. It Takes A Lot To Laugh, It Takes A Train To Cry           Take 2b
17. It Takes A Lot To Laugh, It Takes A Train To Cry           Take 3b
18. It Takes A Lot To Laugh, It Takes A Train To Cry           Take 4C

19. Positively 4th Street                      CO86840         Take 1b
20. Positively 4th Street                                      Take 2b
21. Positively 4th Street                                      Take 3b
22. Positively 4th Street                                      Take 4C
23. Positively 4th Street                                      Take 5C
24. Positively 4th Street                                      Take 6b
25. Positively 4th Street                                      Take 7B
26. Positively 4th Street                                      Take 8C
27. Positively 4th Street                                      Take 10B
28. Positively 4th Street                                      Take 12C

1-3 and 15-18 "Phantom Engineers" on recording sheet.
4-14 "Tombstone" on recording sheet.
19-28 "Black Dalli Rue" on recording sheet.

Session 1: 10:00am - 1:00pm backed by Robert Gregg (drums), Joseph Macho jr. (bass), Paul Griffin (piano), Al Kooper (organ) and Mike Bloomfield (guitar).

Session 2: 2:30 - 6:00pm backed by Robert Gregg (drums), Russ Savakus (bass), Frank Owens (piano), Al Kooper (organ) and Mike Bloomfield (guitar).

14 and 18 released on Highway 61 Revisited.
28 released on single.

Studio A
Columbia Recording Studio
New York City, New York
July 30, 1965, 2:30-5:30 and 7-10 pm

Produced by Bob Johnston.
Engineers: Halee and Dauria (1st session) and Halee and Keyes.

1. From A Buick 6                              CO86843         Take 1b
2. From A Buick 6                                              Take 2b
3. From A Buick 6                                              Take 4C
4. From A Buick 6                                              Take 5C

5. Can You Please Crawl Out Your Window        CO80844         Take 1b
6. Can You Please Crawl Out Your Window                        Take 2b
7. Can You Please Crawl Out Your Window                        Take 3b
8. Can You Please Crawl Out Your Window                        Take 1b
9. Can You Please Crawl Out Your Window                        Take 1b
10. Can You Please Crawl Out Your Window                       Take 1C
11. Can You Please Crawl Out Your Window                       Take 2b
12. Can You Please Crawl Out Your Window                       Take 3C
13. Can You Please Crawl Out Your Window                       Take 4b
14. Can You Please Crawl Out Your Window                       Take 5C
15. Can You Please Crawl Out Your Window                       Take 6b
16. Can You Please Crawl Out Your Window                       Take 7b
17. Can You Please Crawl Out Your Window                       Take 8b
18. Can You Please Crawl Out Your Window                       Take 9b
19. Can You Please Crawl Out Your Window                       Take lOb
20. Can You Please Crawl Out Your Window                       Take 11b
21. Can You Please Crawl Out Your Window                       Take 12C
22. Can You Please Crawl Out Your Window                       Take 13b
23. Can You Please Crawl Out Your Window                       Take 14b
24. Can You Please Crawl Out Your Window                       Take 15B
25. Can You Please Crawl Out Your Window                       Take 17C

26. Desolation Row                             CO80845         Take 1C

1-4 "Lunatic Princess No. 3" on recording sheet.
5-25 "Look At Barry Run" on recording sheet.
26 "???" on recording sheet.

Session 1: 2:30 - 5:30 backed by Robert Gregg (drums), Harvey Goldstein (bass), Russ Savakus (bass), Arthur ...?? (piano), Al Kooper (organ) and Mike Bloomfield (guitar).

Session 2: 7:00 - 10:00 pm backed by Robert Gregg (drums), Russ Savakus (bass), Harvey Goldstein (bass), Paul Griffin (piano), Al Kooper (organ) and Mike Bloomfield (guitar).

4 released on Highway 61 Revisited.
25 released on single.

Studio A
Columbia Recording Studio
New York City, New York
August 2, 1965, 8-11 pm and midnight 3 am

Produced by Bob Johnston.
Engineers: Halee and Keyes.

1. Highway 61 Revisited                        CO86846         Take 1b
2. Highway 61 Revisited                                        Take 2b
3. Highway 61 Revisited                                        Take 3C
4. Highway 61 Revisited                                        Take 4b
5. Highway 61 Revisited                                        Take 5C
6. Highway 61 Revisited                                        Take 5C
7. Highway 61 Revisited                                        Take 6C
8. Highway 61 Revisited                                        Take 7b
9. Highway 61 Revisited                                        Take 8b
10. Highway 61 Revisited                                       Take 9C

11. Just Like Tom Thumb's Blues                CO86847         Take 1B
12. Just Like Tom Thumb's Blues                                Take 2b
13. Just Like Tom Thumb's Blues                                Take 3C
14. Just Like Tom Thumb's Blues                                Take 4b
15. Just Like Tom Thumb's Blues                                Take 5C
16. Just Like Tom Thumb's Blues                                Take 6b
17. Just Like Tom Thumb's Blues                                Take 7C
18. Just Like Tom Thumb's Blues                                Take 8b
19. Just Like Tom Thumb's Blues                                Take 9B
20. Just Like Tom Thumb's Blues                                Take 1OB
21. Just Like Tom Thumb's Blues                                Take 11b
22. Just Like Tom Thumb's Blues                                Take 12b
23. Just Like Tom Thumb's Blues                                Take 13C
24. Just Like Tom Thumb's Blues                                Take 14b
25. Just Like Tom Thumb's Blues                                Take 15b
26. Just Like Tom Thumb's Blues                                Take 16C

27. Queen Jane Approximately                   CO86848         Take 1b
28. Queen Jane Approximately                                   Take 2C
29. Queen Jane Approximately                                   Take 3b
30. aueen Jane Approximately                                   Take 4b
31. Queen Jane Approximately                                   Take 5C
32. Queen Jane Approximately                                   Take 6C
33. Queen Jane Approximately                                   Take 7C

34. Ballad Of A Thin Man                       CO86849         Take 1b
35. Ballad Of A Thin Man                                       Take 2C
36. Ballad Of A Thin Man                                       Take 3C
37. Ballad Of A Thin Man (Insert #1)                           Take 1C

38. Desolation Row                             CO86845         Take 1b
39. Desolation Row                                             Take 2b
40. Desolation Row                                             Take 3b
41. Desolation Row                                             Take 4b
42. Desolation Row                                             Take 5

Session 8:00 pm - 3:30 am.

1-10 "Highway 61" on recording sheet.
11-26 "Juarez" on recording sheet.
27-33 "Queen Jane" on recording sheet.

Backing: Robert Gregg (drums), Al Kooper (organ), Harvey Goldstein (bass), Mike Bloomfield (guitar), Frank Owens (piano) (8:00 - 11:30) Paul Griffin (piano) (11:00 - 3:30) and Samuel ?? (probably Sam Lay (drums)) (8:00- 11:00).

10. 26, 33 and 36 released on Highway 61 Revisited.

Studio A
Columbia Recording Studio
New York City, New York
August 4, 1965, 1-4 pm

Produced by Bob Johnston.
Engineers: Laico and Dauria.

Overdub session:

1. Desolation Row                              CO86937         Take 1b
2. Desolation Row                                              Take 2b
3. Desolation Row                                              Take 1B
4. Desolation Row (Incut)                                      Take 1C
5. Desolation Row                                              Take 5C
6. Desolation Row (Composite 1)                                Take 6C
7. Desolation Row (Composite 1)                                Take 7b

8. Tombstone Blues (Composite 2)               CO86838         Take 1C

It is unclear who is backing on these tracks, as well as when the basic tracks were recorded.

6 and 7 edited into one track and released on Highway 61 Revisited.

Studio A
Columbia Recording Studio
New York City, New York
October 4, 1965, 2:30-5:30 pm

Produced by Bob Johnston.
Engineers: Halee and Dauria.

Session cancelled.

Studio A
Columbia Recording Studio
New York City, New York
October 5, 1965, 7-10 pm and 11:30-2:30 pm

Produced by Bob Johnston.
Engineers: Halee and Keyes.

1. Medicine Sunday                             CO87183         Take 1b
2. Medicine Sunday                                             Take 2

3. Jet Pilot                                   CO87186         Take 1b
4. Jet Pilot                                                   Take 2b
5. Jet Pilot                                                   Take 3b
6. Jet Pilot                                                   Take 4b
7. Jet Pilot                                                   Take 5b
8. Jet Pilot                                                   Take 6b
9. Jet Pilot                                                   Take 7b

10. Can You Please Crawl Out Your Window       CO87184         Take 1B
11. Can You Please Crawl Out Your Window                       Take 2b

12. I Wanna Be Your Lover                      CO87185         Take 1b
13. I Wanna Be Your Lover                                      Take 2C
14. I Wanna Be Your Lover                                      Take 3C
15. I Wanna Be Your Lover                                      Take 4B
16. I Wanna Be Your Lover                                      Take 5C
17. I Wanna Be Your Lover                                      Take 6C
18. I Wanna Be Your Lover                                      Take 7C

19. Instrumental Track                    C087187 and CO87192  Take 1b
20. Instrumental Track                                         Take 2C

1-2 "Medicine Sunday" on recording sheet.
3-9 Neither title nor CO number listed on the recording sheet, but on the tape box listed as "Track (Title ? ?)" with no CO number. Title and CO number is listed in the artists contract card.
10-11 "Crawl Out Your Window" on recording sheet.
12-18 "I Don't Want To Be Your Partner" on recording sheet.
19-20 "Unannounced" on recording sheet, "Trk No Vocal" on tape box, and as "#1" on the copyright card. This song has two CO numbers.

Backing musicians undocumented.

3-9 One of the tracks released on Biograph.
11 released on Biograph.
12-18 One of these tracks released on Biograph.

Studio A
Columbia Recording Studio
New York City, New York
October 6, 1965, 11:30-2:30 pm

Produced by Bob Johnston.
Engineers: Halee and Keyes.

Session cancelled.

Studio A
Columbia Recording Studio
New York City, New York
November 30, 1965, 2:30-5:30 pm and 7 pm til finished

Produced by Bob Johnston.
Engineers: Halee and Dauria (first session) and Halee and Keyes.

1. Visions Of Johanna                          CO88581         Take 1B
2. Visions Of Johanna                                          Take 2b
3. Visions Of Johanna                                          Take 3B
4. Visions Of Johanna                                          Take 4C
5. Visions Of Johanna                                          Take 5C
6. Visions Of Johanna                                          Take 6B
7. Visions Of Johanna                                          Take 7C
8. Visions Of Johanna                                          Take 8C
9. Visions Of Johanna                                          Take 9b
10. Visions Of Johanna                                         Take 10b
11. Visions Of Johanna                                         Take 11b
12. Visions Of Johanna                                         Take 12b
13. Visions Of Johanna                                         Take 13C
14. Visions Of Johanna                                         Take 14C

15. Can You Please Crawl Out Your Window       CO88582         Take 1b
16. Can You Please Crawl Out Your Window                       Take 2b
17. Can You Please Crawl Out Your Window                       Take 3b
18. Can You Please Crawl Out Your Window                       Take 4b
19. Can You Please Crawl Out Your Window                       Take 5b
20. Can You Please Crawl Out Your Window                       Take 6C
21. Can You Please Crawl Out Your Window                       Take 7b
22. Can You Please Crawl Out Your Window                       Take 8C
23. Can You Please Crawl Out Your Window                       Take 9b
24. Can You Please Crawl Out Your Window                       Take 10C

1-14 "Freeze Out" on recording sheet.
15-24 "Crawl Out The Window" on recording sheet.

Session: 2:30 - 7:00 pm and 7:00 - 10:00 pm.

Musicians: Robert J. Gregg (drums), Richard Manuel (piano), Rick Danko (bass), Garth Hudson (organ), Robbie Robertson (guitar) Bruce Langhorne (guitar), Al Kooper (organ), Joseph Souter (guitar) (only 2:30 - 7:30) and Paul Griffin (piano) (only 5:00 - 10:30).

15-24 one of the tracks released as single.

Studio A
Columbia Recording Studio
New York City, New York
January 20, 1966, 11:30-2:30 pm

Produced by Bob Johnston/Albert Grossman.
Engineers: Halee and Keyes.

Session cancelled.

Studio A
Columbia Recording Studio
New York City, New York
January 21, 1966, 2:30-5:30, 7-10 pm and 11:30-2:30 am

Produced by Bob Johnston.
Engineers: Halee, Dauria and Keyes.

1. She's Your Lover Now                        CO89210         Take 1b
2. She's Your Lover Now                                        Take 2b
3. She's Your Lover Now                                        Take 3b
4. She's Your Lover Now                                        Take 4C
5. She's Your Lover Now                                        Take 5C
6. She's Your Lover Now                                        Take 6C
7. She's Your Lover Now                                        Take 7b
8. She's Your Lover Now                                        Take 8b
9. She's Your Lover Now                                        Take 9b
10. She's Your Lover Now                                       Take 10b
11. She's Your Lover Now                                       Take 11b
12. She's Your Lover Now                                       Take 12b
13. She's Your Lover Now                                       Take 13C
14. She's Your Lover Now                                       Take 14C
15. She's Your Lover Now                                       Take 15C
16. She's Your Lover Now                                       Take 16b
17. She's Your Lover Now                                       Take 17C
18. She's Your Lover Now                                       Take 18C
19. She's Your Lover Now                                       Take 19C

1-19 "Just A Little Glass Of Water" on recording sheet.

Sessions: 2:30 - 5:30pm, 5:45 - 8:45, 9:00 - 12:00pm.

Musicians: Michael John ??, Sandy Konikoff (drums), Garth Hudson (organ), Richard Manuel (piano), Rick Danko (bass) and Robbie Robertson (guitar).

19 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
January 25, 1966, 2:30-5:30, 7-10 pm, and 11:30-2:30 am

Produced by Bob Johnston.
Engineers: Halee, Dauria and Keyes.

1. Leopard-Skin Pill-Box Hat                   CO89215         Take 1C
2. Leopard-Skin Pill-Box Hat                                   Take 2C

3. One Of Us Must Know (Sooner Or Later)       CO89216         Take 1C
4. One Of Us Must Know (Sooner Or Later)                       Take 2C
5. One Of Us Must Know (Sooner Or Later)                       Take 3b
6. One Of Us Must Know (Sooner Or Later)                       Take 4C
7. One Of Us Must Know (Sooner Or Later)                       Take 5b
8. One Of Us Must Know (Sooner Or Later)                       Take 6b
9. One Of Us Must Know (Sooner Or Later)                       Take 7b
10. One Of Us Must Know (Sooner Or Later)                      Take 8b
11. One Of Us Must Know (Sooner Or Later)                      Take 9b
12. One Of Us Must Know (Sooner Or Later)                      Take 3b
13. One Of Us Must Know (Sooner Or Later)                      Take 11C
14. One Of Us Must Know (Sooner Or Later)                      Take 16b
15. One Of Us Must Know (Sooner Or Later)                      Take 17b
16. One Of Us Must Know (Sooner Or Later)                      Take 18C
17. One Of Us Must Know (Sooner Or Later)                      Take 19C
18. One Of Us Must Know (Sooner Or Later)                      Take 21b
19. One Of Us Must Know (Sooner Or Later)                      Take 22B
20. One Of Us Must Know (Sooner Or Later)                      Take 23C
21. One Of Us Must Know (Sooner Or Later)                      Take 24C

1 and 2 "Brand New Leopardskin Pillbox Hat" on recording sheet. 3-21 "Song Unknown" on recording sheet.

Sessions: 2:30 - 6:00pm, 7:00 - 11:00pm, and 11:30pm - 2:30am.

Musicians: Robert J. Gregg (drums), William E. Lee (bass), Paul Griffin (piano), Richard Danko (bass), Al Kooper (organ) and Robbie Robertson (guitar).

21 released on single and on Blonde On Blonde.

Studio A
Columbia Recording Studio
New York City, New York
January 26, 1966, 2:30-5:30, 7-10 pm, and 11:30-2:30 am

Produced by Bob Johnston.
Engineers: Halee, Dauria and Keyes.

Session cancelled.

Studio A
Columbia Recording Studio
New York City, New York
January 27, 1966, 2:30-2:30 am

Produced by Bob Johnston.
Engineers: Halee, Dauria and Keyes.

1. I'll Keep It With Mine                      CO89218         Take 1C

2. Leopard-Skin Pill-Box Hat                   CO89219         Take 1C
3. Leopard-Skin Pill-Box Hat (Insert)                          Take 1
4. Leopard-Skin Pill-Box Hat                                   Take C 
5. Leopard-Skin Pill-Box Hat                                   Take C 

6. One Of Us Must Know (Sooner Or Later) (Insert #1)
                                               CO89216         Take 1b
7. One Of Us Must Know (Sooner Or Later) (Insert #1)           Take 2b
8. One Of Us Must Know (Sooner Or Later) (Insert #1)           Take 3b

1 "Unknown" on recording sheets.
2-5 "Brand New Leopard Skin Pillbox Hat" on recording sheet.
6-8 "Unknown Song" on recording sheet.

Musicians: Robbie Robertson (guitar), Al Kooper (organ), Rick Danko (bass), Bobby Gregg (drums).

1 released on The Bootleg Series.

Studio A
Columbia Recording Studio
New York City, New York
January 31, 1966, 11:30-2:30 am

Produced by Bob Johnston.
Engineers: Halee and Waxman.

Session cancelled.

Studio A
Columbia Recording Studio
New York City, New York
February 4, 1966, 7-10 pm and 11:30-2:30 am

Produced by Bob Johnston.
Engineers: Halee and Keyes.

Session cancelled.


So Bob Dylan's sessions in New York City in the 1960s ended with a number of cancellations. From February 1966 until 1970, Dylan would record all his material in Nashville, where a huge number of musicians were readily available. One major argument for changing to Nashville may well have been technical. In 1966 the New York studio was still using 4-track equipment. Most of Blonde On Blonde was recorded in 8-track. which technology was available in Nashville.

ln the next issue of The Telegraph there'll be a full listing of Bob Dylan's Nashville sessions, including many surprising details concerning the recordings of Self Portrait and New Morning.

I am grateful to archivist Mark Kirkeby from Sony Music, who has, in a very warm and talented way, been the link between the permission and the material. Matthew and Joyce from Sony Archives have also been tremendously helpful in all practical matters


Bring It All Back Home Krogsgaard's Sessions