From +dylan Fri Sep 9 08:31:14 1994
From: Clive Barrett <c.c.barrett@rowsome.demon.co.uk>
Date: Thu, 8 Sep 1994 16:23:10 GMT
Newsgroups: rec.music.dylan
Subject: The Genuine Bootleg Series

BOB DYLAN - The Genuine Bootleg Series

No Label

Disc One: 73:50 Matrix 941401

1. Black Cross
   22.12.61 Bonnie Beecher's Apartment
2. I Was Young When Ieft Home
   22.12.61 Bonnie Beecher's Apartment
3. Ballad For A Friend
   Jan 62 Leeds Demos
   
4. Hero Blues
   6.12.62 Freewhelin' Session
   
5. Whatcha Gonna Do?
   6.12.62 Freewhelin' Session
   
6. Tomorrow Is A Long Time
   Dec 62 Witmark Demo
   
7. Milk Cow Blues
   24.4.62 Freewhelin' Session
   
8. Rocks And Gravel
   13.11.62 Freewhelin' Session
9. You've Been Hiding Too Long
   12.4.62 Ny Town Hall Concert
   
10. Farewell
    Dec 63 Witmark Demo
    
11. Baby, Let Me Follow You Down
    Jan 64 Witmark Demo
    
12. That's Alright Mama/Sally Free And Easy
    9.6.64 Another Side Session
    
13. Bob Dylan's New Orleans Rag
    9.6.64 Another Side Session
    
14. You Don't Have To Do That
    13.1.65 BIABH Session
    
15. Can You Please Crawl Out Your Window
    16.6.65 Highway 61 Revisited Session
16. Desolation Row
    30.7.65 Highway 61 Revisited Session
17. Freeze Out
    30.11.65/1.12.65 Sunset Sound Studios LA
18. She's Your Lover Now
    21.1.66 Columbia Studios NY Disc One: 74:28 Matrix 941402
    1. Spuriously Seventeen Windows (The Painting By Van Gogh)
       12.3.66 Denver Hotel Room
       
    2. What Kind Of Friend Is This?
       18/19.5.66 Glasgow Hotel Room
    3. One Too May Mornings
       16.5.66 Sheffield
       
    4. Sign On The Cross
       Summer 67 Basement Tapes
       
    5. All American Boy
       Summer 67 Basement Tapes
       
    6. Nothing Was Delivered
       Summer 67 Basement Tapes
       
    7. I Threw It All Away
       June 69 Self Portrait Session
       
    8. Honey, Just Allow Me One More Chance
       June 69 Self Portrait Session
       
    9. Working On A Guru
       1.5.70 New Morning Session
       
    10. Down In The Flood
        1.1.72 NY Academy Of Music - With The Band
    11. Goodbye Holly
        20.1.73 Pat Garrett Session
        
    12. Rock Me Mama
        Feb 73 Pat Garrett Session
        
    13. Nobody Cept You
        2.11.73 Planet Waves Session
        
    14. Idiot Wind
        17.12.74 BOTT Session
        
    15. Hurricane
        30.7.75 Desire Session
        
    16. Stop Now
        2.5.78 Street Legal Session
        
    17. (You Treat Me Like A) Stepchild
        15.9.78 Augusta, Maine

        Disc Three: 76:43       Matrix 941403
        

        1. Trouble in Mind
           1-11.5.79 Slow Train Coming Session
        2. Yonder Comes Sin
           Oct 80 Rundown Studios, Santa Monica
        3. Caribbean Wind
           Oct 80 Rundown Studios, Santa Monica
        4. Don't Ever Take Yourself Away
           Apr/May 81 Shot Of Love Session
        5. Thief On The Cross
           10.11.81 New Orleans
           
        6. Sweetheart Like You
           Apr 83 Infidels Session
           
        7. Someone's Got A Hold Of My Heart
           Apr/May 83 Infidels Session
        8. Tell Me
           Apr/May 83 Infidels Session
        9. Jokerman
           Apr/May 83 Infidels Session
        10. Blind Willie McTell
            Apr/May 83 Infidels Session
        11. New Danville Girl
            Dec 84 Empire Burlesque Session
        12. Important Words
            Apr/May 87 Down In The Groove Session
        13. Dignity
            Mar/Apr 89 Oh Mercy Session
        14. Like A Ship
            Apr 90 Wilbury 3 Session
            
        15. Series Of Dreams
            Mar/Apr 89 Oh Mercy Session The CDs are packaged in a glossy folding cardboard sleeve (12 x 12 cm) with photographs from the first half of Bob's career. Included is a booklet that gives details of the tracks and includes further photographs. Also reprinted is a piece written by Clinton Heylin for Goldmine about the CBS Bootleg Series 1-3.

            Many of the tracks included in this collection are already circulating with the exception of six tracks which Olof wrote about some weeks ago. The package is very well produced and presented. It is much less convenient to handle than Great Dane's 'You Don't Know Me', but contains a much more representative sample of Dylan's career. Opinions will vary as to whether this is the 'definitive' collection - time will tell but I think that it will prove less distressing to Cambridge librarians.

            Clive

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            Clive Barrett
            c.c.barrett@rowsome.demon.co.uk
            

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